Gilded figure of a seated Moonlight
Avalokitesvara (Guanyin), seated on a
craggy rock pedestal and slighly bent
sideway, with hands cross on her knee, one
holding what seems like a scroll.
Guanyin, the bodhisattva of mercy and
compassion was the most venerated image
of the Mahayana pantheon and exerted a
tremendous influence throughout the Ming
and Qing periods, being depicted in both
sculptural works in wood, bronze and blanc
de Chine ceramics.
The confession of the Great Vehicle,
Mahayana (chin.: Dasheng), spread from
Kashmir, Gandhara, Sogdia and Inner Asia
into China, and further to Korea and Japan.
It teaches that salvation is possible to all
sentient beings because they possess the
Buddha nature in them and hence all have
the potentiality of being enlightened.
Enlightenment is simply achieved by faith
and devotion to Buddha and the religious
ideal, the Bodhisattva (chin.: Pusa),
Pratyekabuddha (chin.: Pizhifo) or Arhat
(chin.: Aluohan, short: Luohan). These
beings, though qualified to enter nirvana,
delay their final entry in order to bring every
sentient being across the sea of misery to
the calm shores of enlightenment. The most
important Bodhisattvas are Manjushri (chin.:
Wenshushili), the Bodhisattva of Wisdom,
Avalokitesvara ("Observing the Sounds of
the World", chin.: Guanshiyin, short:
Guanyin, or Guanzizai), the Bodhisattva of
Compassion, and Samantabhadra
("Universal Goodness", chin.: Puxian), the
Meditation Teacher. Buddha appears in
different shapes, according to the belief that
Buddha appears in every age in a special
appearance, like Amitabha (Amitayus,
"Buddha of Endless Light", chin.: Namo
Amituofo, jap.: Amida Butsu) or Vairocana
"Universal Illuminator" or Lokesvaraja
(chin.: Pilushena, short: Lushena), the
Buddha of the Past; Maitreya (chin.: Milefo),
the Buddha of Future.
The elongated features of this Guanyin, the
soft draping gilt garments and her relaxed
posture would seem to indicate a mid Ming
date.